art history
Colossal head; c.1050 BC; steatite; height: 2.2 m; Museo de Antropología de Xalapa (Xalapa, Mexico)[62]
Colossal head; c.1050 BC; steatite; height: 2.2 m; Museo de Antropología de Xalapa (Xalapa, Mexico)[62]
Seated shaman in ritual pose-shaped pendant (Olmec); 9th-5th century BC; serpentine and cinnabar; height: 18.5 cm; Dallas Museum of Art (Dallas, Texas, USA)[62]
Seated shaman in ritual pose-shaped pendant (Olmec); 9th-5th century BC; serpentine and cinnabar; height: 18.5 cm; Dallas Museum of Art (Dallas, Texas, USA)[62]
Bat effigy (Zapotec); c.50 BC; jadeite and shell; height: 28 cm; National Museum of Anthropology (Mexico City)[63]
Bat effigy (Zapotec); c.50 BC; jadeite and shell; height: 28 cm; National Museum of Anthropology (Mexico City)[63]
Portrait of K'inich Janaab Pakal I (Maya; 615–683; stucco; height 43 cm; National Museum of Anthropology[64]
Portrait of K'inich Janaab Pakal I (Maya; 615–683; stucco; height 43 cm; National Museum of Anthropology[64]
Vessel with a throne scene (Maya); late 7th–8th century; ceramic; 21.59 cm; Metropolitan Museum of Art (New York City)
Vessel with a throne scene (Maya); late 7th–8th century; ceramic; 21.59 cm; Metropolitan Museum of Art (New York City)
Yaxchilán Lintel 24 (Maya); 702; limestone; 109 x 74 cm; British Museum (London)[65]
Yaxchilán Lintel 24 (Maya); 702; limestone; 109 x 74 cm; British Museum (London)[65]
Warrior columns (Toltec); c.1000; basalt; height: c.460 cm; Tula de Allende (Mexico)
Warrior columns (Toltec); c.1000; basalt; height: c.460 cm; Tula de Allende (Mexico)
Double-headed serpent (Aztec); c. 1450–1521; cedar, turquoise, shell and traces of gilding; length: 43.3 cm; British Museum[66]
Double-headed serpent (Aztec); c. 1450–1521; cedar, turquoise, shell and traces of gilding; length: 43.3 cm; British Museum[66]
Coyolxauhqui Stone (Aztec); c. 1469–1481; stone; diameter: 3 m; Templo Mayor Museum (Mexico City)[66]
Coyolxauhqui Stone (Aztec); c. 1469–1481; stone; diameter: 3 m; Templo Mayor Museum (Mexico City)[66]
Tlāloc effigy vessel (Aztec); c. 1440–1469; painted earthenware; height: 35 cm; Templo Mayor Museum[66]
Tlāloc effigy vessel (Aztec); c. 1440–1469; painted earthenware; height: 35 cm; Templo Mayor Museum[66]
Colombia
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Further information: Muisca art
Similarly with Mesoamerica, the present-day territory of Colombia is an area where multiple cultures developed before the arrival of Spanish colonizers. Here, gold body accessories were produced, many golden ones, but also many other ones made of tumbaga, a non-specific alloy of gold and copper given by Spanish Conquistadors to metals composed of these elements found in widespread use in pre-Columbian Mesoamerica in North America and South America.
Animal-headed figure pendant (Yotoco); 1st–7th century; gold; height: 6.35 cm; Metropolitan Museum of Art (New York City)
Animal-headed figure pendant (Yotoco); 1st–7th century; gold; height: 6.35 cm; Metropolitan Museum of Art (New York City)
Lime container (Quimbaya); 5th–9th century; gold; height: 23 cm; Metropolitan Museum of Art
Lime container (Quimbaya); 5th–9th century; gold; height: 23 cm; Metropolitan Museum of Art
Male figure/tunjo (Muisca); 10th–mid-16th century; gold; height: 14.9 cm; Metropolitan Museum of Art
Male figure/tunjo (Muisca); 10th–mid-16th century; gold; height: 14.9 cm; Metropolitan Museum of Art
Pendant (Tairona); 10th–16th century; gold; height: 14 cm; Metropolitan Museum of Art
Pendant (Tairona); 10th–16th century; gold; height: 14 cm; Metropolitan Museum of Art
Andean regions
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Further information: Chavín culture § Art, Paracas culture, Nazca culture, Moche culture § Material culture, Sican culture § Art and ideology, Tiwanaku § Structures, and Inca empire § Arts and technology
Mantle (Paracas); 50–100 AD; embroidered wool; height: 1.01 m; Museum of Fine Arts (Boston, USA)[67]
The ancient civilizations of Peru and Bolivia nurtured unique artistic traditions, including one of the world's most aesthetically impressive fibre art traditions. Two of the first important cultures from this land are the Chavín and the Paracas culture.
The Paracas culture of the south coast of Peru is best known for its complex patterned textiles, particularly mantels. The Moche controlled the river valleys of the north coast, while the Nazca of southern Peru held sway along the coastal deserts and contiguous mountains. The Nazca are best known for the famous Nazca Lines, a group of geoglyphs in a desert in southern Peru. They also produced polychrome ceramics and textiles influenced by the Paracas, and used a palette of at least 10 colours for their pottery. Both cultures flourished around 100–800 AD. Moche pottery is some of the most varied in the world. In the north, the Wari (or Huari) Empire are noted for their stone architecture and sculpture accomplishments.
The Chimú were preceded by a simple ceramic style known as Sicán (700–900 AD). The Chimú produced excellent portrait and decorative works in metal, notably gold but especially silver. Later, the Inca Empire (1100–1533) stretched across the Andes Mountains. They crafted precious metal figurines, and like other civilizations from the same area, complex textiles. Llamas were important animals, because of their wool and for carrying loads.[68][69][70]
The Hummingbird, one of the Nazca Lines (Nazca); c.200 BC-600 AD; rocks, gravel and dirt; length: 50 m; Nasca and Palpa Provinces (Peru)[71]
The Hummingbird, one of the Nazca Lines (Nazca); c.200 BC-600 AD; rocks, gravel and dirt; length: 50 m; Nasca and Palpa Provinces (Peru)[71]
Portrait head bottle (Moche); 3rd–6th century; painted ceramic; overall: 26.35 x 16.21 cm; Metropolitan Museum of Art (New York City)
Portrait head bottle (Moche); 3rd–6th century; painted ceramic; overall: 26.35 x 16.21 cm; Metropolitan Museum of Art (New York City)
Mosaic figurine of a noble man (Wari); 7th-9th century; wood, shell, stone and silver; height: 10.2 cm; Kimbell Art Museum (Fort Worth, Texas, USA)[72]
Mosaic figurine of a noble man (Wari); 7th-9th century; wood, shell, stone and silver; height: 10.2 cm; Kimbell Art Museum (Fort Worth, Texas, USA)[72]
Ceremonial knife/tumi (Sican); 10th–13th century; gold, turquoise, greenstone and shell; height: 33 cm; Metropolitan Museum of Art[67]
Ceremonial knife/tumi (Sican); 10th–13th century; gold, turquoise, greenstone and shell; height: 33 cm; Metropolitan Museum of Art[67]
Royal tunic (Inca); 1476–1534; camelid fibre and cotton; height: 91 cm; Dumbarton Oaks (Washington, D.C., USA)[73]
Royal tunic (Inca); 1476–1534; camelid fibre and cotton; height: 91 cm; Dumbarton Oaks (Washington, D.C., USA)[73]
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